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Showing posts from November, 2014

Protest and Privilege

Last night, we sat in front of the television and watched the announcement of the Grand Jury decision from Ferguson, Missouri. From the time the broadcast started, there was a split screen, one camera on the crowd and another on the DA who was reading the lengthy statement. For a while, we watched the people straining to hear what he was saying on their radios and phones. Then, when he got to the point and announced that the Grand Jury had voted not to indict the white policeman who shot Michael Brown, we watched the people process the information, at first in stunned silence. Then the protests started. Even as I write that, just like the camera crews, I realize was expecting them to begin almost on cue. We were waiting. So, I watched them start up, then heat up, and Sarah tracked them all over the country on Twitter. Then, at around 11:00, we called it a night. That, friends, is one example of what is known as White Privilege. I had built my evening tv viewing around the press c

Finding Free: The Atlanta Freedom Bands and Coming Full Circle

When I was in fifth grade at Littleville Elementary School, something magical happened. One day, our teacher announced that the band teacher from the nearby high school would be coming to Littleville to talk to kids and their parents about joining the band. It was 1973, and resources for extra-curricular activities--heck, resources for curricular activities--were limited. I remember in previous years, our musical exposure at school had been the on the rare occasions when our teachers had brought out a box with mostly percussion instruments and let us play with them, mostly trying to keep time while a record was playing. This was different. This was band. I could hardly wait for the meeting. When the evening came, the band director, Mr. Wright, brought a variety of instruments so that we could try them out and, with his advise make our selection. I realize looking back that, of course, he wanted a well rounded group of instruments, which is probably why I became a flute player. From tha